Lightroom 6.2 import duplicate images
Next, open Photoshop, load your image, and use the following routine. If you're not using the Adobe Camera RAW support, make sure your camera's RAW file conversion software saves in 16-bit format.
LIGHTROOM 6.2 IMPORT DUPLICATE IMAGES HOW TO
Here's how to do exposure corrections in Photoshop. The same image after further exposure corrections in Adobe Photoshop. For example, look at the difference that exposure correction makes between Figures 3-17 and 3-18. If you don't, you'll find that correcting exposure is extremely hard (if not impossible) to do. The second step is very important always do your exposure corrections in Photoshop first, before any of the other corrections or effects you'll find later in this book. Those limitations might be behind you now. Or, you had to blur the background of your images in an image editor because your digital point-and-shoot camera always brought everything into sharp focus (an excellent trait when you want everything in focus, and not so great when you want to use focus selectively for creative effects).
You've faked fish-eye lens effects because your camera didn't have a fish-eye lens, or you've manually added lens flare instead of trying to create the real thing.
You might have used an image editor's Zoom Blur feature because your digi-cam's zoom lens didn't zoom fast enough to permit creating that effect in the camera, as shown in Figure 1-8. Perhaps you're a seasoned image editor, accustomed to cropping images in Photoshop or Photoshop Elements to mimic the extreme telephoto perspective your previous camera couldn't duplicate. They change how you make pictures, as well. Digital SLRs do more than change how you take pictures.